News
 International
 National
 Embassy News
 Arts & Living
 Business
 Travel & Hotel
 Medical Tourism New
 Taekwondo
 Media
 Letters to Editor
 Photo Gallery
 Cartoons/Comics/Humor
 News Media Link
 TV Schedule Link
 News English
 Life
 Hospitals & Clinics
 Flea Market
 Moving & Packaging
 Religious Service
 Korean Classes
 Korean Weather
 Housing
 Real Estate
 Home Stay
 Room Mate
 Job
 English Teaching
 Translation/Writing
 Job Offered/Wanted
 Business
 Hotel Lounge
 Foreign Exchanges
 Korean Stock
 Business Center
 PR & Ads
 Entertainment
 Arts & Performances
 Restaurants & Bars
 Tour & Travel
 Shopping Guide
 Community
 Foreign Missions
 Community Groups
 PenPal/Friendship
 Volunteers
 Foreign Workers
 Useful Services
 ST Banner Exchange
  National
"Tunisian Passion" Fascinates Local Audience
Amb. Jerandi Hosts Cultural Event at Nat'l Theater
Tunisian musicians perform traditional musical instruments at an outdoor stage of the National Theater in downtown Seoul on June 17 before hundreds of enthusiastic Korean audience.

Hundreds of Korean people and some foreigners were enthralled by traditional Arabic music in the evening of June 17, 2005 when Tunisia's Musical Ambassador Amina Srarfi performed " Sounds of the Nineties" at the National Theater in Seoul with her All-Women Orchestra El-'Azifat.

The female-only orchestra presented a wide variety of Arabic musical works ranging from genre from Andalusia, Spain as well as Tunisian popular and folk songs.

The rare Arabic concert, titled "Tunisian Passion," featured 11 musicians playing traditional musical instruments named Ud, Ganun and Nay together with violin, double bass and piano. An eight-member dance troupe from southern Tunisia also took the stage to accompany the orchestra.

Founded in 1992, El Azifet is regarded as the first female-only traditional music performance group in the Middle East. It is the first ever for Korean audience to have such a prominent Arab musical group with international prominence in Seoul.

A number of foreign ambassadors attended "Tunisian Passion" event held at National Theater in Seoul June 17, 2005.

The troupe has so far played in several cities including London, Paris, Cairo, New York and Rome, drawing large acclaim.

The event entitled "Tunisian Passion" will continue through June 19 at the outdoor stage at the National Theater located near Hotel Shilla in downtown Seoul under the sponsorship of the Tunisian Embassy in Korea.

Amina Srarfi is the first woman to conduct an orchestra in the Arab world. In March 1992, the award winning violinist and pioneering conservatory director, Amina Srarfi, challenged the all-male hegemony of the instrumental sections of the Rashidiyya and Radio ensembles by forming her own all-female ensemble, El-Azifat. Srarfi's ensemble, whose repertory includes the ma'luf and other traditional compositions, collectively known as turath, (patrimoin), claims to be 'the first all-female orchestra of Oriental and Tunisian music in Tunisia and in the Arab World as a whole.

Srarfi acknowledges that ensembles of all-female professional singers and instrumentalists used to entertain all-female audiences at wedding celebrations until early in the 20th century and she considers her ensemble to be an extension of this tradition.

Tunisian Amb. Othman Jerandi and Mrs. Jerandi poses with Chairman David Kim and his wife.

However, to the extent that El-'Azifat gives public performances to mixed audiences, its members are conservatory trained and musically literate, and most pursue professions outside music, the ensemble is indeed unprecedented. It comprises about 12-15 women in traditional costumes playing the typical instruments of the all-male Arab ensembles such as violins (normally several), 'ud, qanun, nay, double bass, darbukka, tar and occasionally, the piano, in varying combinations; the instrumentalists perform from notation and they provide the chorus; there is no solo voice. El-'Azifat plays in concerts and festivals all over Tunisia and it has made numerous trips abroad, in Europe, North America and the Middle East.

The ensemble specialises broadly in the repertory with which Srarfi's father, Kaddour Srarfi, was associated. Apart from the ma'luf, this includes popular songs by Tunisian composers up to about the 1970s, now considered 'traditional.'

Qatari Amb. Ahmed Saif Al-Midhadi (second from right) and his wife (right) poses with Tunisian Amb. Jerandi (third from left) and his wife (second from left) at "Tunisian Passion" event June 17, 2005.

Favourites of El-'Azifet are the chansons franco-tunisiennes of the 1920s and 1930s in a mixture of French and Tunisian Arabic dialect; songs from the same period by the Jewish singers Shaykh El-Efrit and Habiba Msika; the songs of Hedi Jouini, characterised by gypsy and Spanish influences including the use of castanets; and songs by the 'best' composers of the Rashidiyya such as Khemais Tarnane, Muhammad Triki, Ali Riahi, Salah el-Mahdi and Kaddour Srarfi.

Srarfi describes the essential purpose of El-'Azifat as twofold: first, to prove that a Middle Eastern Islamic woman can perform as well as her male counterpart (a fact, she maintains, that Tunisian men will never acknowledge); and second, to prove that she can succeed independently of men. Derided by some as a gimmick, or more specifically, an establishment ploy to present a liberated image of Tunisia to foreign audiences, El-'Azifat fulfills a unique and arguably necessary role in Tunisian music. As L.JaFran Jones has observed, 'in Tunisia as elsewhere in the Middle East, women are singers, while instrumental music and music creation are the domain of men' (Jones 1987:177).

Mr. Min Byung-Il (left), editorial director of The Seoul Times, stands with Mr. Han Kon-Ju, standing advisor of The Korea Times.

Despite enjoying equal educational opportunities in the conservatories, where female instrumentalists reach the same standards as their male counterparts, hardly any female instrumentalists and no female conductors have been accepted into any of the major professional and specialist ensembles, notably the radio ensemble and the Rashidiyya.

In response to her detractors, Srarfi points out that unlike the Radio, the Rashidiyya and other specialist ensembles, El-'Azifat receives no subsidy from the government (13). And far from being a one-off gimmick, El-'Azifat seems to have started a trend: since its founding, several members of the group have broken away to found all-female ensembles of their own.



Related Articles
    Tunisia Marks 60th Anniversary of Proclamation ...
    Tunisia Marks 61st Independence in Seoul
    S. Korea, Tunisia Sign MOU for Cooperation in ...
    Tunisia Marks 60th Independence in Seoul
    Tunisian Embassy Hosts Event to Mark Its ...
    Tunisia Marks 59th Independence Day in Seoul
    Tunisian Envoy to Host Exhibition of Tunisian ...
    Tunisia Marks 58th National Day in Seoul
    Tunisia Marks 57th National Day in Seoul
    Tunisia's 56th National Day Marked in Seoul
    54 Years of Tunisia's Independence Observed
    Tunisian Enovy Joins ESMOD Fashion Show
    Tunisian Mosaic Arts Shown to Locals in Seoul
    53 Years of Tunisia's Independence Observed
    Tunisian President Ben Ali Calls for the Year ...
    Tunisian Envoy Immersed in Local Language
    Tunisia: 21st Anniversary of Change
    Tunisia’s Efforts to Promote the Objectives ...
    FDI’s: Tunisia, Fast Becoming a Leader in The ...
    Tunisian President Ben Ali Calls to Address ...
    Tunisian President Calls for Allocating One ...
    Tunisia Emerging as Top World Tourist ...
    Tunisian Press Highlights Visit of Sheikh ...
    Tunisian Envoy Promotes Tourism, Bilateral Ties
    Tunisia's Independence Day Marked in Seoul
    Tunisia to Emerge as Top Long-Haul Tourist ...
    Tunisian Envoy Hosts New Year Party for Korean ...
    Tunisia Gears up For Korean Investments, ...
    Amb. Baati Promotes Tunisian Tourism
    Tunisia, A Small But Vital Nation
    Tunisia's Election to UN Human Rights Council
    Tunisia Marks Independence Day in Seoul
    Tunisia Envoy Hosts Dinner for Saida Chtioui
    Tunisia Marks 18th Ann. of "Nov. 7 Change"
    Tunisian Play in Seoul Performing Arts Festival
    Tunisian Communications Minister Visits Seoul
    Tunisian Embassy Ushers in the Spring
    Tunisian Presidential Election Due on Oct. 24


 

back

 

 

 

The Seoul Times Shinheungro 25-gil 2-6 Yongsan-gu, Seoul, Korea 04337 (ZC)
Office: 02-555-6188 Email:seoultimes@gmail.com
Copyrights 2000 The Seoul Times Company  ST Banner Exchange